Interesting Connection...

While driving to work this morning, I heard some news on the radio about the Pope's visit to the Holy Land. According to one of the Internet news sites, "Pope Benedict XVI has arrived in Jesus' traditional birthplace for a one-day visit Palestinians hope will draw attention to their suffering under Israeli military rule. The pontiff's motorcade drove through a crossing in Israel's towering West Bank separation barrier Wednesday to reach the cradle of Christianity. He was greeted by Palestinian President Mahmoud Abbas.  Later, he is to tour the Church of the Nativity, and will visit a Palestinian refugee camp."

It reminded me how long some Palestinians have been in those camps. The reason I am aware of this has a very interesting connection.

In about 1951, my home church, St. John the Evangelist, got a parish administrator, Father Arnold J. English. The Pastor, Monsignor John J. Finn, had become somewhat senile, but was loved by many parishioners. Because of his popularity and immense political influence in Schenectady, the Bishop saw fit to send an Administrator rather than replace him. It didn't work as planned, since Monsignor Finn resented Father English and barely spoke to him for many years. Father English eventually became the pastor.

Father English had been a Marine Corps chaplain during World War II and had served with another battle-decorated chaplain named Joseph T Ryan. Father English was originally from Troy, New York and Father Ryan was from Albany. They became very close friends in the military and remained so throughout their lives.

In the mid 1950's, Pope Pius XII became alarmed at the plight of the Palestinian refugees and established a Pontifical Mission to Palestine. He contacted Francis Cardinal Spellman of New York and said he was looking for an American priest who could effectively manage the difficult job of getting aid -- food, medicine, and shelter -- to the Palestinians. Cardinal Spellman also served as the head of what was then known as the "Military Ordinariate" that coordinated the military chaplaincy for the US armed forces. Because of this role, he was very familiar with Father Ryan and was confident that Ryan could fill the bill. Soon, Father Joseph Ryan was on his way to the Middle East as the Pope's personal envoy to the Palestinian refugees. He served in this capacity for about three years and then returned to Albany. While Father Ryan was in the Middle East, he corresponded often with Father English, who was like a member of my family. We heard endless stories of Father Ryan's activities and challenges. Thus it is that I was made aware of the Palestinians' difficulties some 50 years ago.

As testimony that the Church took care of its own, in 1966, Father Ryan became the first Archbishop of Anchorage, Alaska. He later became the first Archbishop for the Military Services when the Military Ordinariate became an Archdiocese.

Father English died in 1988. I was able to visit him in 1987 as his health was deteriorating from the effects of cancer. Father Ryan lived until October of 2000. They were both terrific men, and dedicated, decorated marines to the end.

The Latest Project...

A few weeks ago, Mary Ann and I received an email from our musician-friend Microwave Dave Gallaher. He mentioned that Alabama Public Television was going to be airing a show called "Songs Inside the Box" on April 14th. The show would describe cigar box guitars, one of Dave's specialty instruments. We watched the show and really enjoyed it, although we didn't think it included enough time devoted to our friend Dave.

After the show, I got curious about these cigar box guitars (CBGs to afficianados) so I started my searches for information. Believe me, there's a huge amount of activity, creativity, and information available. I began searching eBay for cigar boxes. I'm now the proud owner of six prime guitar candidates -- Cohiba, Macanudo, Punch, Kristoff. After all, you've got to have just the "right" box for the job.

My first creation is well on its way. It will have three strings. I've completed the neck and all the fret work. I used a piece of cherry for the neck that's about thirty years old, nice and stable, and with luscious grain. After a little searching I was able to locate a gentleman, Bluesboy Jag, who sells handwound magnetic pickups for 3- and 4-string instruments. So this first attempt, which is already designated as Mary Ann's, will be a hot, electrified blues-generating machine!

I can't wait to get it finished...

The Chestnut Man...

Jim and Caroline Walker Shelton's family

Standing by a Chestnut Tree, Circa 1920, Tremont Falls, TN

According to Wikipedia, "The American Chestnut (Castanea dentata) is a large, deciduous tree of the beech family native to eastern North America. Before the species was devastated by the chestnut blight, a fungal disease, it was one of the most important forest trees throughout its range. There are now few if any mature specimens of the tree, except where it was planted in blight-free regions distant from its original range." To give us an idea of the magnitude of loss caused by the blight, the author continues, "It is estimated that the total number of chestnut trees in eastern North America was over three billion, and that 25 percent of the trees in the Appalachian Mountains were American Chestnut. The number of large surviving American Chestnut trees over 60 cm (24 inches) in diameter within the tree's former range is probably fewer than 100." And this incredible loss of timber all occurred in about thirty years, beginning in 1904 after the damaging fungus was brought in on some imported Chinese trees.

A few years ago I was visiting my good friend and fellow luthier Keith Young. He showed me a couple of instruments he had made from what he called "wormy chestnut." "Wormy" chestnut refers to a defective grade of wood that has insect damage, having been sawn from long-dead blight-killed trees. Even this kind of Chestnut is difficult to find, although I have bought a few individual boards on eBay.  With its tiny worm hole traces, it is a very beautiful wood for either furniture or musical instruments.

As Monty Love and I were on our way to Merlefest this past weekend, we were near the town of Sugar Grove, NC, when we saw a small sign at the end of a driveway, "Wormy Chestnut for Sale." We noted a couple of landmarks and decided to stop there on our return trip. So it was that on Sunday afternoon we pulled into the driveway of Mr. Bill Harmon, who says he is known around those parts as "The Chestnut Man." And it's no wonder!

American Chestnut

Mr. Harmon took us on a tour of his lumber collection. There was a mountain of reclaimed chestnut, wormy and otherwise, from barns and cabins that he has salvaged over many, many years. He has boards and logs stored inside a couple of very large barns as well as out in the open. For a fellow who has paid as much as $60 for a single board on eBay, you can only imagine the sensory overload I was experiencing! And then there were the other varieties -- black walnut, aromatic eastern cedar, black cherry, poplar. Everywhere he took us there was another treasure.

And he was a real gentleman. He related a heartwarming story about Doc Watson's service to the small churches in the area. Doc hails from Deep Gap, just a few miles down the road.

I told Mr. Harmon that I was looking for a few boards with no nail holes that I could resaw to make dulcimers from. He informed us he had some boards that had been cut by a lumber mill in the 1940's and never sold! I bought a ten foot long board with gorgeous grain. Mr. Harmon cut it into lengths that I could fit into my truck. We thanked him and left, but we shall return...

A Galax-style Wormy Chestnut Dulcimer

Made by Ben Seymour of Tryon, NC

Merlefest Excels Again...

Travis Tritt & Jerry Douglas on Thursday Night

I never quite get used to the notion that Merlefest surprises me with its overall excellence. It's simply the biggest, most varied, best administered, Americana music festival anywhere. And this year was my 20th visit to North Wilkesboro, NC, for my annual "fix." Once more, I wasn't disappointed.

I went with Monty Love, a good friend from Huntsville, who coincidentally took me to the first Merlefest I attended, in 1990. Monty filled in this year when Mary Ann realized that she simply couldn't attend because of the demands of the Gift Shop. Monty and I left early Thursday and arrived at the motel by 4:00 PM. We got into our seats in time for the Thursday night performance of the Peter Rowan Bluegrass Band. As soon as I saw the band I said to Monty, "That mandolin player is Jody Stecher, who taught a harmony class I was in at Elkins (The Augusta Heritage Arts Workshops) several years ago!" It was just the first of this year's pleasant surprises.

The band that followed was Dailey & Vincent, the pairing of Jamie Dailey and Darrin Vincent, who took home an unprecedented 7 awards at the 19^th Annual International Bluegrass Music Awards in 2008. They accomplished a feat no other artist has done, by winning Entertainer of the Year and Emerging Artist of the Year in the same year, a feat all the more impressive because they had released their debut album and begun touring only nine months before that. Their other awards were for Vocal Group of the Year, Album of the Year (Dailey & Vincent), Gospel Recorded Performance of the Year (“By the Mark”), Male Vocalist of the Year (Jamie), and Recorded Event of the Year, for Darrin’s participation in the Everett Lilly & Everybody and Their Brother project.

Dailey & Vincent

Dailey & Vincent received six SPBGMA Bluegrass Music Awards at the awards show held on February 15, 2009, at the Music City Sheraton in Nashville: Vocal Group of the Year, Bluegrass Band of the Year, Song of the Year (“By the Mark”), Gospel Group of the Year/Contemporary, Bass Fiddle Performer of the Year (Darrin Vincent) and Male Vocalist of the Year/Contemporary (Jamie Dailey).

And then we got to the featured act for Thursday, Travis Tritt performing with Jerry Douglas. They were spectacular! As you can tell, the standard is set high at Merlefest. And the presentation -- venues, sound systems, etc. -- is up to that same level. It's all quite remarkable, and all to honor and remember Merle Watson, the late son of the legendary guitarist and singer, Doc Watson. The history of the festival is described very well on the Swampland.com website.

Friday morning, we got on campus early and noticed on one of the many publicly-posted schedule boards that there had been a change in the schedule and that Doc Watson and David Holt would be performing at the traditional tent in about fifteen minutes. We were there in a heartbeat and sat in about the fifth row. What a treat. Doc was at his most relaxed working with his close friend and travelling companion. At 86, he can still inspire. We soaked it all up for the next hour. We then proceeded to the main stage to hear the last half of a "Welcome Home Superjam" with The Duhks, Jim Lauderdale, and Peter Rowan. A short hike brought us to the Creekside Stage for the "Blues Showcase" hosted by Roy Book Binder, an artist I had heard in Huntsville in the early 1980's. He was joined by three other great blues musicians, Doug MacLeod, Jimmy "Duck" Holmes, and Patrick Sweany.

It was hot! In a very rare spring heat wave, temperatures reached 90 degrees. Monty and I decided to take refuge in a closed venue. We proceeded to the Walker Center, a very fine auditorium that seats around 1,000 people. We got there in time to see a young and very good bluegrass band called The Circuit Riders. We weren't disappointed. And they were followed by one of my favorite groups, The Kruger Brothers. The Krugers migrated from Switzerland, where they had learned to play bluegrass music from their father's vinyl records. They moved to North Carolina in 2003. If you are ever near a Kruger Brothers venue, by all means go to their performance. Their music doesn't fit any genre that I know of. They are genuinely unique and very special.

Friday night it was the Del McCoury Band followed by the Waybacks, a young and very energetic group with a huge following.

Emmylou Harris & Friends on Saturday Night

I won't bother you with the gory details of the rest of the weekend, but believe me, it just kept getting better. We finished up on Sunday morning with a spiritually uplifting session with Doc Watson and The Nashville Bluegrass Band performing an all-gospel program. At one point, Doc paused to testify about his personal salvation and the reason for our being there. It was very moving.

On our way home, as we meandered through the mountains of western North Carolina, we managed to find "The Chestnut Man," but that's a story for another time.

Off to Merlefest...

The Incomparable Doc Watson,

Father of the Late Eddie Merle Watson,

in Whose Memory Merlefest is Held Each Spring

I leave in the morning for my 20th (!) trek to Merlefest. Unfortunately, Mary Ann has too much work going on right now to go with me. I have invited Monty Love to join me and he has accepted. Monty and Dinah were the ones who first told me about Merlefest, when the festival was only three years old and still quite small. This year's attendance will exceed 80,000! Here's a list of the performers who will be there:

Doc Watson, Richard Watson, Susana and Timmy Abell, The Alberti Flea Circus, Darin and Brooke Aldridge Band, Angel Band, Banknotes, Buffalo Barfield, Bearfoot, BeauSoleil avec Michael Doucet, The Belleville Outfit, Rory Block, Blue Highway, Roy Book Binder, Laura Boosinger, Bob Bovee and Gail Heil, Broken Wire, David Bromberg, Sam Bush, Cadillac Sky, The Carolina Chocolate Drops, The Circuit Riders, Clack Mountain String Band, T Michael Coleman, The John Cowan Band, Dailey and Vincent, The Dixie Beeliners, Donna The Buffalo, Pat Donohue, Robert Dotson, The Duhks, The Farewell Drifters, Loretta Freeman and Lynsey, Full Throttle Bluegrass Band, Rayna and Dan Gellert, The Gibson Brothers, Josh Goforth, The Grascals, The Gravy Boys, Buddy Greene, The Greencards, Mitch Greenhill, George Hamilton IV, Emmylou Harris, Wayne Henderson, Violet Hensley, Willette Hinton, Jimmy "Duck" Holmes, David Holt, Clint Howard, Sierra Hull and Highway 111, The InterACTive Theater of Jef , Phil Jamison, The Kruger Brothers, Jim Lauderdale, Jack Lawrence, Mark Lippard, Jeff Little, The Little Rascals, The Local Boys, The Lovell Sisters, Doug MacLeod, Andy May, Del McCoury Band, Tift Merritt, Mountain Heart, Nashville Bluegrass Band, The Neighbors, New North Carolina Ramblers, Ollabelle, Out on the Ocean, Polecat Creek, Missy Raines and the New Hip, Tony Rice, Linda Ronstadt featuring Los Camperos de Nati Cano, The Peter Rowan Bluegrass Band, Patrick Sauber, Martha Scanlan, Scythian, Anne and Pete Sibley, George Shuffler, Smokey Valley Band, Joe Smothers, Spring Creek Bluegrass Band, The Steeldrivers, Rodney Sutton, Patrick Sweany, Tut Taylor, Joe Thompson, Tom, Brad & Alice, Happy Traum, Mac and Jenny Traynham, Travis Tritt and Jerry Douglas, The Waybacks, WCC Child Development Singers, Pete and Joan Wernick, Wilkes Acoustic Folk Society, Tony Williamson, The Zephyr Lightning Bolts

Tell me that's not a logistical nightmare!! We'll have a full report upon our return.

New Life...

Spring has indeed sprung. The yard has been gradually turning green. The trees we planted last year have all survived the winter and are growing like crazy as their leaves emerge.

Alongside my shop, the azaleas have bloomed. Our remaining dogwoods have been putting on one of their best displays ever. And the rhododendrons that we planted in Margo's memory are blooming for the first time! I love Spring!

Playing for Change...

A couple of days ago I received an email from my friend Garry Howell. It was titled "Amazing Music." The only thing in the email was a link to a Website. After I was blown away by the music, I noticed the reference at the end of the video to http://www.musicforchange.com/. Naturally I had to find out what this was all about. It's really fascinating.

Last October, Bill Moyers, on his show, "Bill Moyers' Journal," sat down with Mark Johnson, the producer of a remarkable documentary about the simple but transformative power of music: PLAYING FOR CHANGE: PEACE THROUGH MUSIC. The film brings together musicians from around the world — blues singers in a waterlogged New Orleans, chamber groups in Moscow, a South African choir — to collaborate on songs familiar and new, in the effort to foster a new, greater understanding of our commonality.

As Moyers describes it, "Johnson traveled around the globe and recorded tracks for such classics as "Stand By Me" and Bob Marley's "One World" — creating a new mix in which essentially the performers are all performing together — worlds apart. Often recording with just battery-powered equipment, Johnson found musicians on street corners or in small clubs and they would in turn gather their friends and colleagues — in all, they recorded over 100 musicians from Tibet to Zimbabwe. The unique composition of the film which has musicians playing together yet in their own traditions, made Johnson think anew about what world music means: Just thinking in my mind... what would be unique instruments to juxtapose against each other that had never been heard before: a talking drum and a tabla, they're very similar but they never really come together, or a sitar and a dobro, very similar but how often do you hear them play together? The idea was to go to places that would have some sort of instruments that they could add to the spectrum of the global music that we were trying to find.The Playing For Change Foundation provides resources (facilities, supplies, educational programs, etc) to musicians and communities around the world. The foundation is working with South African poet Lesego Rampolokenga to build the Mehlo Arts Center in Johannesburg, South Africa and building and supporting the Ntonga Music School in the South African township of Guguletu. In addition, Playing For Change is working to enhance and rebuild Tibetan refugee centers in Dharamasala, India and Kathmandu, Nepal. You can find news about their benefit concerts and programs, and listen to additional songs, on their Web site: Playingforchange.com."

On the video that I first saw, Ben E King’s oldie, "Stand by Me," the following musicians took part:

Roger Ridley – Santa Monica, California

Grandpa Elliot – New Orleans, Louisiana

Washboard Chaz – Louisiana

Clarence Bekker – Amherst, Netherlands

Twin Eagle Drum Group – Zuni, New Mexico

Francois Viguie – Toulouse, France

Cesar Pope -Rio de Janeiro, Brazil

Dimitri Dolganor – Moscow, Russia

Roberto Luti – New Orleans, Louisiana

Geraldo & Diorision – Caracus, Venezuela

Junior Kissangiva Mbouta – The Congo

Pokei Klaas -Guguletu, South Africa

Django Degen – Barcelona, Spain

Sinamura Umlazi – South Africa

Stefano Tomaselli – Pisa, Italy

Vusi Mahlasel -Mamelodi, South Africa

I've ordered the video and can't wait for it to arrive. In the meantime, I'm enjoying a number of the collaborative samples of music that have been posted on YouTube. Just do a YouTube search on "playingforchange." Enjoy. And Peace. And Love.